Author Archive

When Was Your Last Conference?

April 14, 2010

One of the first things you are told when you come to grad school is that conference presentations are vital little lines to add to your academic Vita. Throughout your academic career, you will hear this mantra, over and over again.  Of course it’s true—presenting at a conference looks good and adds that extra line on your CV.

Johnnie Carson at Africom Conference, 2009. Courtesy of Wikimedia Commons.

But really, conferences can be a career boost for a variety of reasons that make a line on your CV seem paltry in comparison:

  1. Travel Opportunity. I’m not talking casino-hotels in Vegas (although they can be nice), but chances to see the places and things the people in your sources wrote about. Many conferences take place in historic locations tied to the conference’s theme. A quick wander between panels or in the evening can help you familiarize yourself with the locations and objects familiar to the worlds of the people you study. This can help with visualization, and allows you to see firsthand what events and actions would be feasible and within the realm of possibility in this space and what would not. This goes a long way toward jogging the historical imagination and your good old analytical skills. (more…)

History Pays for Itself

March 31, 2010

The recession that began in 2008 resulted in universities across the continent clamping down on the purse strings in every possible way. This clamp-down manifested itself in non-tenured faculty layoffs, departments closing and merging to save on administrative costs, and the devastating hiring freezes that terrified entire cohorts of graduating PhD students.  If you are in academia, I am not telling you anything you didn’t already know and experience first hand.

Currencies, courtesy of Wikimedia Commons

As a result of the funding becoming so tight, departments have fought with one another over who should get what remaining monies, and  the arts have been accused of benefitting from the subsidies of programs like medicine and business which are traditionally perceived to be the university cash cows. This is part of the reason why the arts have shouldered a large brunt of the budget cuts.

The reality of funding, however, is more complex than that. According to Professor Robert N. Watson, “The social sciences are the only ones that generate more tuition income than 100 percent of their total expenditure…whereas units such as engineering and agriculture run at a loss.” Reem Hanna-Harwell, Assistant dean of the humanities at UCLA calculated the numbers and discovered that the humanities there generate over $59 million in student fees, while spending only $53.5 million.

This is consistent with the results of Professor Christopher Newfield’s case study , which suggests that “the money that departments generate through teaching enrollments that the humanists do not spend on their almost completely unfunded research is routinely skimmed and sent elsewhere in the university.” In other words, the humanities could in actuality be the subsidizers.

I do not mean to imply here that financial arguments should fuel reasons for departmental cuts and hiring freezes, only that the arts do not deserve the blame for squandering funds in this economy. Cutting funding or eliminating departments does not save money (especially if these departments are self-sustaining) and only shifts burdens and debts onto other departments in the arts to provide students with their language and humanities requirements. Even if history departments could not pay for themselves, they (like every other subject) have intrinsic value for students and for the regional, national, and global communities that cannot ultimately be measured in terms of dollars and cents, regardless of the economic climate.

Summer Grant Season is Upon Us

March 17, 2010

Summer grant season is upon us, and most of the deadlines fall within the next two months. With a fully-funded summer of research travel and writing (among other things) on the line, it may be well worth your time to investigate all the possibilities open to you. Aside from the monetary advantages, the benefits of writing grant applications far outnumber the cost of time you must invest.

Grants & Money, from Wikimedia Commons

Grants & Money, from Wikimedia Commons

Often the search for grants leads you to documents and sources that you weren’t aware of before. Writing grant applications allows you to tighten up your own conception of your project, and nail down the finer points, complexities and contradictions. This helps you to speak more eloquently about it to others because the project is clear and fresh in your own mind. Winning a grant of course looks great on your CV, and can have career-long implications through the addition of breadth, originality, and further dimensions to your project.

If you have never received a grant, the idea of applying for one can be daunting. While it is true that grant givers tend to prefer applicants who can show experience in using grant money wisely, everyone has to start somewhere, and the committees of smaller grants understand that and are often willing to take a chance on a particularly engaging or promising applicant with no history.

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History for Life: Alternative Narrative Strategies

March 3, 2010

Microhistories, popular biographies and historical fiction are, to varying degrees, often treated as the red-headed stepchildren of the profession. Typical analytical history is tacitly recognized as most valid, though microhistory and biography are acceptable genres, usually tackled by those of us with tenure. Historical fiction isn’t even mentioned with regards to the profession, though perhaps more of us than would admit do keep the latest historical fiction bestsellers on  our bedside nightstands—firmly separate from our working lives.

John Adams, From the Library of Congress

The reading public, however, prefers historical fiction and biography. Those who cannot get enough of these might grab some of the more compelling microhistories, and only the very stalwart venture into the heavier titles of the academic presses. It seems therefore that biography and historical fiction reach the widest audiences. If the work strikes the perfect balance of fascination and rigor, there is even film potential. (See The Cheese and the Worms, John Adams , Roots, and Rabbit Proof Fence for examples).

And while microhistories, biographies and historical fiction can be problematic, Professor Sue Peabody, at Vanderbilt’s Warren Center 2010 Black Atlantic History Lecture asked if analytical history was just as problematic. Every historian knows the challenges posed by creating a history from archival material. No matter how we end up telling these stories of the past, we are not immune from the political implications of the politics of narration we have chosen. The very nature of how documents are preserved and the nature of the tradition of history are the result of uneven structures of power. The records we use are generated by the institutions of these structures of power. Too often the voice of our subject is mediated through systems and/or institutions that sought to render the subject mute. Yet these questions of representation and genre and politics are rarely addressed in our work—we assume our readers are aware of the limitations of the archive. Often we fool ourselves into thinking we are describing the truth with any sort of factual accuracy.

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Why Fight For Academic Freedom?

February 17, 2010

The recent controversy about University of Minnesota graduate student Scott DeMuth, who is facing conspiracy charges for not disclosing the identities of his research subjects raises a whole host of fascinating questions about academic freedom. DeMuth, who uses the data to develop an understanding of how environmental and animal-rights activist groups operate,  refused to divulge names of the members of the Animal Liberation Front involved in an attack on research laboratories because he signed IRB-vetted confidentiality agreements with his subjects.

Burning book, Wikimedia Commons

Although DeMuth is a sociologist, he could just as easily have been an historian. We are just as subject to the tenuous nature of academic freedom, because the ways in which we interpret events, cultures, places and ideas are often the impetus for social and political changes that can affect quality of life for countless individuals. In theory, Academic freedom gives us a lot of power.

The truth is that free speech and academic freedom are protected, but not  unequivocally. Disposability of graduate students and non-tenured faculty can endanger the practice of genuine academic freedom. It is up to us to ask the questions and seek the answers that are often difficult for many, and our collective responsibility to protect those that do. It goes without saying that with academic freedom comes the need for great personal responsibility.

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Does Information want to be free?

February 3, 2010

Last week, I had the fortune of spending an afternoon with Peter Brush, Vanderbilt University’s Reference and History Librarian. We discussed how Open Access (the emerging culture of online free-of-charge access to scholarly materials such as journals, databases and teaching materials) could affect historians and the way we produce and consume knowledge.

The Access Principle, by John Willinsky (Read this book for free at MIT Press)

The debates surrounding Open Access reach beyond the obvious issues of affordable access to more information for a greater number of scholars. The expansion of this movement carries philosophical, economic, and political ramifications that affect historians as much as or more so than free access to the latest field journal or database.

Open Access isn’t free, of course. There are costs related to web-hosting and peer review, and the costs are distributed differently. This makes Open Access an economic issue every University grapples with in some way or another, as funds are reshuffled between departments and libraries to accommodate these changes. (more…)

Disappearing Documents: Guerilla Preservation in Latin America (An interview with Dr. Jane Landers and Pablo Gomez of Vanderbilt University, and Dr. Mariza de Carvalho Soares of Fluminese Federal University, Rio de Janiero.)

January 20, 2010

What happened to the oldest surviving document in the Western hemisphere?

Matrimo de Espańo, 1584-1622, from the project courtesy of Jane Landers

No one is certain where exactly it is now, but thanks to the NEH-funded historical preservation project entitled “Ecclesiastical Sources and Historical Research on the African Diaspora in Brazil and Cuba,” anyone in the world with internet access can look at the Cuban matrimonial record from 1584.

Or rather, digital photographs of it. (more…)


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